The Best of the Best: 10 Must-Read Works by Harlan Ellison

Though this teleplay is widely considered the best “Trek” to date, its fame did not come without some controversy. The decades-long hoopla surrounding this time-traveling Kirk/Spock adventure revolved around changes made to Ellison’s script (it was rumored his initial vision was “too dark”). In this edition of The City on the Edge of Forever, Ellison sets the record straight with an exclusive introductory essay, “Perils of the City.” Learn the truth in the man’s own words.

Among the six SF tales in this collection is the titular, Hugo Award-winning story: “I Have No Mouth and I Must Scream.” With his usual breathtaking inventiveness, Ellison tells the story of a terrifying far-future world in which AIs have decimated the human population. But the survivors—four men and one woman—suffer a fate worse than their obliterated friends and family: relentless torture at the hands of their alien invaders.  

Deathbird Stories contains sixteen masterpieces of SF, including the Hugo Award winner, “The Deathbird.” ‘Faith’ is the thematic backbone of the collection, as Ellison, a known atheist, questions its purpose in the presence of evil or disaster. From an imminent Armageddon and cult-like religions to modern day gods and goddesses, Deathbird Stories is some of the most frightening fantasy you’ll find.

In 1967, Harlan Ellison collected and edited the anthology, Dangerous Visions, which featured the most influential and emerging voices of science fiction. It went on to become a landmark of the genre and won nearly every trophy in the genre awards circuit. Again, Dangerous Visions is its highly anticipated follow-up. Like its predecessor, it features works from the biggest names in 20th century science fiction— Ursula K. Le Guin and Dean Koontz, for example—with introductions by Ellison himself. The result: a supernova of SF/F’s brightest stars and the most mind-expanding stories.

Strange Wine is a perfect testament to Ellison’s skill with multiple genres, as he dives into the world of the macabre. It draws much of its inspiration from popular modern day myths, conspiracies, and real-life horrors. In one story, we see a loose reincarnation of the Lost Colony of Roanoke. The axe-swinging Lizzie Borden can be found in another, while an angel of death takes center stage in the exquisite “Diagnosis of Dr. D’Arque Angel.” For those who love Stephen King or simply crave a darker shade of SF/F, Strange Wine is your best bet.

In Shatterday’s standout dark fantasy, “Jeffty is Five,” an immortal five-year old has access to the world of the distant past. Only the boy’s friend, the story’s narrator, knows his secret—and mixing the world that is and the world that was comes with dire consequences. “Jeffty is Five” nabbed Hugo and Nebula “Best Short Story” awards, and the nominal “Shatterday” became a famous episode of The Twilight Zone.

In this alternate universe—one in which JFK survived and America is wracked by war— scientific advancements have allowed for telepathic communication between man and beast. The Nebula short story winner, “A Boy and His Dog,” follows teenage loner Vic as he and his canine companion navigate a dystopian wasteland, discover an underground civilization, and redefine what it means to love. It is also the basis for the 1975 cult film of the same name.

Yet another Nebula Award winner, this short story—accompanied by several others—is set in a future society ruled by “the Ticktockman.” The rebel protagonist plans to overthrow the totalitarian government, but when his lover betrays him, he comes face to face with more than he’s bargained for. It’s the same brand of dystopian fiction as Orwell’s 1984 and Huxley’s Brave New World—dark, chilling, and powerful beyond the final page. 

For a roller coaster ride that runs the gamut of genres, look no further than the boundary-crossing Slippage. A mind reader exacts his revenge on a serial killer. Romance blossoms between members of the undead while the teleplay, and “Crazy As A Soup Sandwich” draws the laughs. As an added bonus, there are autobiographical reflections scattered throughout—proving Ellison’s own life is as compelling and heartrending as his fiction.

This 16-story collection contains the previously mentioned “A Boy and His Dog,” but its titular tale, “The Beast That Shouted Love at the Heart of the World” is another incredible achievement of speculative fiction. Three separate narrative threads—one in space, one on Earth, and one beyond both—converge to create a complex, experimental portrait of evil. Like so many of Ellison’s other works, this, too, went on to win a Nebula Award.